emily bronte

Add to the shelf: Classic authors in context

Blackwell’s Companion to Romanticism
I’ve had this book on my Amazon wishlist for quite some time but was being held back by the price. I finally bit the bullet on it and I’m relieved to find I’m really enjoying it. This companion to Romanticism contains 52 essays on all aspects of the Romantic movement. Part 1 of the book puts Romanticism in context with chapters on movements leading up to Romanticism and historical context, including the French Revolution. Part 2 has 23 essays discussing individual novelists and poets. Part 3 discusses genres of Romanticism; the novel, gothic, travel writing, etc. Part 4 is more eclectic with essays on various issues and debates. Feminism, historicism, psychological view points plus comparisons and influences such as England and Germany, Shakespeare and the Romantics, Milton, etc.

I’m currently on Chapter 5, Britain at War, and so far I’ve found the essays very well written. The authors seem to know their subject very well and express their points clearly with factual information to back it up. I’ll compare this to what I feel are some lesser and more jumbled essays next.

David Hume had taken the skepticism of the Enlightenment to its logical conclusions. In his Treatise of Human Nature Hume argued that the notions that we have of cause and effect are simply linked to the way which we experience the events in space and time and that such notions of causation have no objective existence. Thus, one’s knowledge of causation is a matter of habit or custom, not a logical certainty. Hume expressed radical skepticism about the nature of the human self, concluding that what one called the self was merely an ever-changing ‘bundle of sensations’. It was this position that ..laid the foundations for the Romantic Idealism
~Peter Kitson, Beyond the Enlightenment

 

The Cambridge Companion to the Victorian Novel 
I purchased the kindle version of this book and I’m glad that I did because I’m not very impressed with it. Unlike the Blackwell companion, the essays in the Cambridge companion can’t seem to express a complete thought or theory. This book has 11 essays putting the Victorian novel in historical context, discussing the industrial revolution, gender roles, race, etc. So far I’ve read 6 of the 11 and most of the essays are less about sharing with the reader “actual information” and more about the authors musings. I often felt like the authors were not expressing their opinion clearly and they jumped on to another topic or aspect of their topic before they had fully expressed or gave any backing evidence for their first opinion. The exception to this sort of scattered writing was chapter 2, Simon Eliot’s The business of Victorian publishing. Eliot seemed to know his topic very well and shared much interesting information and perspective.
I’m not sure if I will go ahead and finish this book or not. I was pretty disappointed with it but maybe the last couple chapters will surprise me.

 

The Cambridge Companion to The Brontes 
Now after the Companion to Victorian novel mess, I was concerned that this title would also be a total flop. I bought this book on Amazon used for about $2.50, so at least I didn’t have much invested in it lol. To my relief though, this Cambridge companion is great. I haven’t been able to put it down. When I saw that the very first essay was by Juliet Barker my spirits and hopes where lifted. I have the humongous The Brontes by Juliet Barker on my shelf. I haven’t read it yet but I know she is one of THE experts on the Brontes. As expected her essay, The Haworth context, was very interesting. She gave me a whole new view point on the Bronte’s father Patrick.
I am now on Chapter 6, Shirley and Villette, so excited to read this today. Probably my favorite essay so far was Angela Leighton’s The Poetry. It lead me to looking up Emily Bronte’s poem Remembrance which I posted the other day. The first line: Cold in the earth- and the deep snow piled about thee, is still running around my mind.

‘Cold in the earth- and the deep snow piled above thee’, doubles not only the fact but also the sensation of cold. The line gets colder. It probes the buried source of coldness, making cold felt. By piling on snow as well, the poet transforms the sensation of cold into literal weight, as if to force or hold something down. Snow buries the dead doubly ‘deep’, as if earth itself were not deep enough.
~Angela Leighton, The Poetry

Jane Austen in Context, the Cambridge edition
I bought this title used from Amazon as well, in the hardcover. My edition, Jane Austen in context, is just one of the series that cover all of Austen’s novels, her juvenilia, and letters. I’ve flipped through the other titles online, and it looks like each includes a lengthy introduction, numerous notes on the text, and in some cases several appendixes. Not sure if I will make it a goal to collected each but I am tempted. ;)
JA in Context covers in Part 1: Life and works, a short biography, essays on Austen’s language, literary influence, her poetry, etc. Part 2 Critical fortunes includes the reseption of Jane’s work, publishing history, and the cult of Austen. Part 3, Historical and cultural context, is the longest section. It has several essays detailing all aspects of Jane Austen’s times, Agriculture, Dress, Education, Money, and Rank, etc.
I read through the first essay, the biography. It was short but well written and it made its main focus something that is often over looked in other Austen bios, her personal finances. I’ve read snips of some of the other chapters and so far, they all look very interesting and well researched.

Edward Austen (Jane’s brother) eventually enjoyed an income greater than Mr. Darcy’s, nearly £15,000 a year, but he was not at first remarkably generous to his mother and sisters after his father’s death in 1805 left them virtually homeless. Still, his initial pledge or £100 a year did almost double his mother’s income, and eventually he housed her and his sisters in the cottage at Chawton that has become the Jane Austen museum.
~Jan Fergus, Biography Jane Austin in Context

If you are interested in flipping through any of these books you can find them in my Classics Book shop, under Companions and Context. Well, you won’t find the Cambridge Victorian companion becasue I don’t recommend that one lol but you will find the others plus some other goodies to boot. The Classics book shop is just a project I am working on for fun. It is an Amazon affiliate store that I don’t really expect any traffic on but it is hella’ fun picking out my favorite books to add to it lol.
You can find additional companions, literary criticism, and biographies in the book shop under the Lit movement category pages and under the individual authors. Note that the list price for each book is just the Amazon price, click through to check for deals on used editions. The main link for the Book Shop, if you feel like browsing, is at the top of the blog home page.

Cold in the earth — and the deep snow piled above thee

Cold in the earth — and the deep snow piled above thee,
Far, far removed, cold in the dreary grave!
Have I forgot, my only Love, to love thee,
Severed at last by Time’s all-severing wave?

Now, when alone, do my thoughts no longer hover
Over the mountains, on that northern shore,
Resting their wings where heath and fern leaves cover
Thy noble heart forever, ever more?

Cold in the earth — and fifteen wild Decembers,
From those brown hills, have melted into spring;
Faithful, indeed, is the spirit that remembers
After such years of change and suffering!

Sweet Love of youth, forgive, if I forget thee,
While the world’s tide is bearing me along;
Other desires and other hopes beset me,
Hopes which obscure, but cannot do thee wrong!

No later light has lightened up my heaven,
No second morn has ever shone for me;
All my life’s bliss from thy dear life was given,
All my life’s bliss is in the grave with thee.

But, when the days of golden dreams had perished,
And even Despair was powerless to destroy,
Then did I learn how existence could be cherished,
Strengthened, and fed without the aid of joy.

Then did I check the tears of useless passion –
Weaned my young soul from yearning after thine;
Sternly denied its burning wish to hasten
Down to that tomb already more than mine.

And, even yet, I dare not let it languish,
Dare not indulge in memory’s rapturous pain;
Once drinking deep of that divinest anguish,
How could I seek the empty world again?

~Remembrance, Emily Bronte

Preparing for The Madwoman in the Attic

One of my goals for 2012 is to finally read The Madwoman in the Attic by Sandra Gilbert and Susan Gubar. I bought this book in April and read a little of it at that time but I quickly realized there were several other books I needed to read first if I was going to truly appreciate and understand Madwoman.

In April of 2011, I had only just begun my Classics reading project. I had read Wuthering Heights, Jane Eyre, and Sense and Sensibility, and was right in the midst of reading Villette. Back then I had only a vague idea of who George Eliot was and no clue about Margaret Fuller or Virginia Woolf. I had not even read my now much loved Mary Shelley! I was in a sad state reading wise lol. Comparing my knowledge of 19th century woman writers now to back then, I am really pleased with the progress and understanding I have achieved. But I know there are several books I needed to read if I am going to understand all the reference in Madwoman. So, I decided to flip through it and make myself a list.

First, let me give you the synopsis of The Madwoman in the Attic via Wikipedia

The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, published in 1979, examines Victorian literature from a feminist perspective. In the work, Gilbert and Gubar examine the notion that women writers of the 19th Century were confined in their writing to make their female characters either embody the “angel” or the “monster.” This struggle stemmed from male writers’ tendencies to categorize female characters as either pure, angelic women, or rebellious, unkempt madwomen. In their argument, Gilbert and Gubar point to Virginia Woolf who says women writers must “kill the aesthetic ideal through which they themselves have been ‘killed’ into art”. While it may be easy to construe that feminist writers embody the “madwoman” or “monster,” Gilbert and Gubar stressed the importance of killing off both figures because neither the angel nor the monster are accurate representations of women or women writers. Instead, Gilbert and Gubar claimed that female writers should strive for definition beyond this dichotomy, whose options are limited by a patriarchal point of view.

Are you as excited about this as I am?! Wait until you see the list of authors discussed in the book…

I decided to break it down for myself by chapter. There are so many books I’ll need to read, I’m not sure I can read all of them and the 2012 list I had already planned. So I may just read each chapter of Madwoman as I complete the works referenced. Laying it aside until the next chapter’s books are completed and then picking it back up again. I kind of hate on again off again reading but I’m not sure there is any other way if I want to get to this book anytime soon.

Chapter 1 The Queen’s Looking Glass
Goethe: Wilhelm Meister’s Journeyman Years (especially the character Makarie)
Brothers Grimm: Little Snow White
People to know: Anne Finch and Mary Elizabeth Coleridge

Chapter 2 Infection in the Sentence
Harold Bloom: Anxiety of Influence
Also referenced but to a lesser extent
Charlotte Perkins Gilman: The Yellow wallpaper (ebook)
Anne Bronte: The Tenant of Wildfell Hall
People: Elizabeth Barrett Browning

Chapter 3 The Parables of the Cave
Mary Shelley’s intro to The Last Man (online)

Chapter 4 Shut up in Prose: Gender and Genre in Austen’s Juvenilia
Jane Austen: Love and Friendship (ebook)
Sense and Sensibility
Northanger Abbey
Also referenced but to a lesser extent
Mansfield Park
Pride and Prejudice

Chapter 5 Jane Austen’s Cover Story
Maria Edgeworth: Castle Rackrent (ebook)
Austen: Northanger Abbey
Mansfield Park
Persuasion
Also referenced but to a lesser extent
Pride and Prejudice
Emma

Chapter 6 Milton’s Bogey
Milton: Paradise Lost
Charlotte Bronte: Shirley
Also referenced but to a lesser extent
Byron: Manfred
Woolf: A Room of One’s Own

Chapter 7 Horror’s Twin: Mary Shelley’s Monstrous Eve
Shelley: Frankenstein
Also referenced but to a lesser extent
George Eliot: Middlemarch

Chapter 8 Looking Oppositely: Emily Bronte’s Bible of Hell
Bronte: Wuthering Heights

Chapter 9 A Secret, Inward Wound
Charlotte Bronte: The Professor

Chapter 10 A Dialogue of Self and Soul: Plain Jane’s Progress
Bronte: Jane Eyre

Chapter 11 The Genesis of Hunger
Bronte: Shirley

Chapter 12 The Buried Life of Lucy Snowe
Bronte: Villette

Chapter 13 Made Keen by Lose
George Eliot: The Lifted Veil
Also referenced but to a lesser extent
Eliot: Armgart (pdf)

Chapter 14 George Eliot as the Angel of Destruction
Eliot: Scenes of a Clerical Life
Middlemarch
Also referenced but to a lesser extent
Daniel Doranda
People: Margaret Fuller, Harriet Beecher Stowe

Chapter 15 The Aesthetics of Renunciation
Christina Rossetti: Maude
Also referenced but to a lesser extent
Rosetti: Goblin Market
Browning: Aurora Leigh (wiki)

Chapter 16 A Woman –White
Emily Dickinson

I’m lucky that during 2011 I read a few of these books. I’ve already read much of the Austen: Sense and Sensibility, Northanger Abbey, Pride and Prejudice, and Emma. That leaves me to read Love and Friendship, Mansfield Park, and Persuasion; not undoable. As for the Brontes, I’ve read Wuthering Heights, Jane Eyre, and Villette. I still need to read Shirley, The Professor, and The Tenant of Wildfell Hall. I am more than happy to do so since I love the Bronte sisters. I’ve already read Frankenstein of course and it’s all I can do to not read Chapter 7 of Madwoman right now, I’m so interested to see what they have to say about one of my favorite books.

George Eliot will be the biggest challenge because of her books referenced I have only read The Lifted Veil. Eliot’s books are massive too, so I may have to wait until 2013 to read them all and the corresponding chapters. I am completely new to Emily Dickinson too, so her poems and chapter 16 of Madwoman will probably be an ongoing project.

I’ll also need to read Milton’s Paradise Lost, Byron’s Manfred, and Woolf’s A Room of One’s Own. Luckily I already have these, and most of the other to be read titles, on my shelf. The more obscure books like Rosetti, Goethe, Edgeworth, and Browning I hope to find ebooks for.

Dude watchin’ with the Brontes

Wuthering Heights illustrations

Illustrations by Fritz Eichenberg from the 1943 Wuthering Heights, Jane Eyre box set.
I need this in my collection!